ARTICLE
Porfiriadis, A (2020) Open Form - Open Decisions: decision making in open form compositions for groups, Part 2, IMOS - issue 5, Autumn 2020 http://im-os.net/IMOS-issue5.pdf
Porfiriadis, A (2020) Open Form - Open Decisions: decision making in open form compositions for groups, Part 1, IMOS - issue 4, Spring 2020 http://im-os.net/IMOS-issue4.pdf
Extract from the composition for ensemble Drops for ensemble (2008/09), in the collection of scores with non-conventional notation Beyond Notation/ Notation Beyond, curated by Andrew Raffo Dewar, Leonardo Music Journal, Vol.21, 2011 (σελ.77-85) https://direct.mit.edu/lmj/article-abstract/doi/10.1162/LMJ_a_0070/63662/Alexis-Porfiriadis-Drops-for-ensemble?redirectedFrom=fulltext
OTHER RESEARCHERS ON PORFIRIADIS' WORK
Grover-Friedlander, Michael, “Eurydice’s voice in contemporary opera”, Chapter in the book: “The Female Voice in the Twentieth Century: Material, Symbolic and Aesthetic Dimensions”, Edited by Serena Facci, Michela Garda, Routledge,2021 https://books.google.gr/books?id=7zIWEAAAQBAJ&pg=PT4&dq=On+approaching+the+music+theatre+of+Beat+Furrer&hl=el&source=gbs_selected_pages&cad=2#v=onepage&q=On%20approaching%20the%20music%20theatre%20of%20Beat%20Furrer&f=false
Maia Hugo, “Developing a Vigilant Musical Practice”, PhD Thesis, Bath Spa University, Bath/UK, 2021, pages 25, 47, 111, 131, 151 and164 http://researchspace.bathspa.ac.uk/13785/
Koukioglou Anastasia, 'Experimental Music': Thesis for a Postgraduate Program, Music Department of University of Athens, 2020, pages 36, 46 https://pergamos.lib.uoa.gr/uoa/dl/object/2921366#contents
Humphries Martin James, “Composing in the community: Creative dialogues with the amateur music vernacular”, PhD Thesis, University of Southampton, June 2019, Pages 112, 166 https://eprints.soton.ac.uk/437598/1/Supporting_Commentary.pdf
Bergstrom-Nielsen Carl, “Open Scores - what is this? A first aid kit for the study of ‘non-standard’ notations”, IM-OS, Journal for Improvised Music - Open Scores, Issue 1, 2019, pages 4 -12
http://im-os.net/IMOS-issue1b.pdf
Holopoulos Jorgos, 'Experimental Music in music education: a verbal score for overcoming the problems of the music education system', Thesis, Department of Art and Science University of Macedonia, 2018, pages 62, 77 και 93-95
https://dspace.lib.uom.gr/bitstream/2159/21689/1/HolopoulosGeorgiosPe2018.pdf
Christopoulou Valia, “The ensemble for Experimental Music of the Pallini Music School:A proposition”, 3rd Congress for the Education in the 21st Century: Αναζητώντας την καινοτομία, την τέχνη, την δημιουργικότητα, Παιδαγωγική Εταιρεία Ελλάδος, Γιώτα Παπαδημητρίου, Χριστόφορος Κωσταρής (Επ.), 20-22 Απριλίου 2018, Σχολή Μωραϊτη, σελ. 511-512
http://www.ekedisy.gr/wp-content/uploads/2019/01/3%CE%BF-%CE%A3%CF%85%CE%BD%CE%AD%CE%B4%CF%81%CE%B9%CE%BF-%CE%93-%CF%84%CF%8C%CE%BC%CE%BF%CF%821.pdf
Matej, Daniel, “Otvorené partitúry a voľná improvizácia ako priestor pre rozvoj ansámblovej hry”, chapter in the book “Musica viva in schola XXV”, Editor: Petr Hala, SBORNÍK PRACÍ PEDAGOGICKÉ FAKULTY, MASARYKOVY UNIVERZITY, Brno, 2016, pages 65-68
https://munispace.muni.cz/library/catalog/book/859
Koutsomichalis Marinos, “From (Not-) Doing-It-Yourself to Doing-It-(Cheaper)-With-Others: The rise of a Workshop Culture in the Greek Economic Dystopia”, 3rd International Biennial Conference Athens, 17-19 September 2015, National and Kapodistrian University of Athens, Edited by I. Theona, D. Charitos
https://drive.google.com/file/d/1BnX3QaLziVfms2ghz6PtiPkAQrMMYsB-/view?usp=sharing
Stefanou Danae, "Maybe a glimpse into the void beyond: Experimentalist Paradigms and the Liminal Spaces of post-1960s Greek Modernism , EuroMac 2014, 17-20 September 2014, Leuven, Belgium
http://www.euromac2014.eu/programme/5c/stefanou
Makatsianou Antonia, “Les partitions textuelles : la relation entre le créateur et l’interprète à travers les informations découlant du texte, Mémoire de Master 2, Université de Nice Sophia Antipolis, U.F.R. L.A.S.H., Département des Arts, Section Musique, Directeurs du mémoire: P. Decroupet, J.F. Trubert, 2013, pages 43,45,53,57,58,61,68,75,82,85
https://drive.google.com/file/d/1K4wpZKRoVDJD7WWg5Drg4UZAX3gFPHhK/view?usp=sharing
Papers
Stefanou Danae, "Maybe a glimpse into the void beyond: Experimentalist Paradigms and the Liminal Spaces of post-1960s Greek Modernism , EuroMac 2014, 17-20 September 2014, Leuven, Belgium
http://www.euromac2014.eu/programme/5c/stefanou
Makatsianou Antonia, “Les partitions textuelles : la relation entre le créateur et l’interprète à travers les informations découlant du texte, Mémoire de Master 2, Université de Nice Sophia Antipolis, U.F.R. L.A.S.H., Département des Arts, Section Musique, Directeurs du mémoire: P. Decroupet, J.F. Trubert, 2013, pages 43,45,53,57,58,61,68,75,82,85
https://drive.google.com/file/d/1K4wpZKRoVDJD7WWg5Drg4UZAX3gFPHhK/view?usp=sharing
Papers
Porfiriadis Alexis, “From individuality to collectivity: investigating individual and collective processes in preparing and performing open form graphic scores in the 21st century», Anestis Logothetis Centenary International Symposium, Department of Music Studies, University of Athens
Program: https://www.music.uoa.gr/fileadmin/depts/music.uoa.gr/www/uploads/EKDHLOSEIS/2021-12/PROGRAMMA_SYMPOSIOY_LOGOTHETI.pdf
Porfiriadis Alexis, “Structuring the unknown: decision-making in open form compositions for groups”, 1-2 July2016, Music and/as Process Symposium, Bath Spa University, UK, Program: https://musicandasprocess.org/2016/05/08/music-andas-process-conference/
Klonari Despina, Porfiriadis Alexis (συνεργατικό Poster), “A Preliminary Music Improvisation Study with Fifth Grade Children”, 19-21 Μαρτίου2015, 4th International Scientific Conference, Creative Arts Interconnection, Paideia-Therapy, Department of Music Studies, Aristotle University of Thessaloniki, Program:
http://docplayer.net/3619569-%C2%AD%E2%80%90Preliminary-%C2%AD%E2%80%90program-%C2%AD%E2%80%90thursday-%C2%AD%E2%80%9019-%C2%AD%E2%80%90march-%C2%AD%E2%80%902015-%C2%AD%E2%80%9017-%C2%AD%E2%80%9000.html
Porfiriadis Alexis, “The composer as facilitator. Composition as an invitation for improvisation and collective processes by the performers”, 29-30 June 2013, Music and/as Process Symposium, University of Huddersfield, UK. Program: https://musicandasprocess.files.wordpress.com/2014/08/maap-1-programme.pdf
Pantzaki Sapfo, Papapetrou Andreas and Porfiriadis Alexis (joined paper), “An Aria with Words of Nothing: Exploring verbal and graphic notation for voice and piano”, 19-20 October 2012, ΙNTIME Symposium, University of Coventry, U.K. Program: https://www.degem.de/coventry-intime-2012-symposium-coventry-university-19th-20th-october-2/
Porfiriadis Alexis and Dr. Stefanou Danae (joined paper), “The eventfulness of unheard thoughts: Words of Nothing for piano player(s) [2010]”, 21 September 2011, Word Event: a verbal notation symposium, Bath Spa University, UK. Program : https://wordevent.wordpress.com/home/schedule/
Porfiriadis Alexis, “From work to workshop: extending the social basis of compositional and performance processes towards collectivity” 2-5 Ιουλίου 2010, International Conference Beyond the Centres: Musical Avant-gardes since 1950, Department of Music Studies, Aristotle University of Thessaloniki. Congress Proceedings: http://btc.web.auth.gr/_assets/_papers/PORFIRIADIS.pdf
Dr. Panos Kanellopoulos, Porfiriadis Alexis and Dr. Stefanou Danae (joined panel and workshop), “Frameworks for Free Improvisation: Shared Practice as Research, 18-20 Σεπτεμβρίου, 1st Biennial Euro-Mediterranean Music Conference, 18-20 September 2009, Cyprus Music Institute, University of Nicosia, Cyprus. Program: http://users.uoa.gr/~foulias/lectf/Cyprus-2009-prog.pdf
Porfiriadis Alexis, “On approaching the Music Theatre of Beat Furrer”, 2nd International Conference for PhD Music Students, 11-13 February 2009, Department of Music Studies, Aristotle University of Thessaloniki,. Text: https://www.academia.edu/15429857/On_approaching_the_music_theatre_of_Beat_Furrer
Πορφυριάδης Αλέξης, “Μια προσέγγιση του μουσικού θεάτρου του Γιώργου Απέργη”, Ελληνική μουσική δημιουργία του 20ου αιώνα για το λυρικό θέατρο και άλλες παραστατικές τέχνες, 27-29 Μαρτίου 2009, Μέγαρο Μουσικής Αθηνών. Πρακτικά Συνεδρίου: https://drive.google.com/file/d/1ZajCfm5st2pkABl04NTKWykv4ySl9y22/view
Πορφυριάδης Αλέξης, “Ένα παράδειγμα της σύγχρονης μουσικής στην Αυστρία. Ο συνθέτης Gerd Kühr και μία ανάλυση του έργου Idea 94 – Musikalische Szenen für Sopran, Violoncello und Klavier”, Μουσική Θεωρία και ΑνάλυσηΜεθοδολογία και Πρακτική, 29 Σεπτεμβρίου-1 Οκτωβρίου 2008, Τμήμα Μουσικών Σπουδών Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης. Πρόγραμμα Συνεδρίου: https://drive.google.com/file/d/1op0FQtQweZ5sYkkUyf187hoGyz84I2yJ/view
Porfiriadis Alexis, “Structuring the unknown: decision-making in open form compositions for groups”, 1-2 July2016, Music and/as Process Symposium, Bath Spa University, UK, Program: https://musicandasprocess.org/2016/05/08/music-andas-process-conference/
Klonari Despina, Porfiriadis Alexis (συνεργατικό Poster), “A Preliminary Music Improvisation Study with Fifth Grade Children”, 19-21 Μαρτίου2015, 4th International Scientific Conference, Creative Arts Interconnection, Paideia-Therapy, Department of Music Studies, Aristotle University of Thessaloniki, Program:
http://docplayer.net/3619569-%C2%AD%E2%80%90Preliminary-%C2%AD%E2%80%90program-%C2%AD%E2%80%90thursday-%C2%AD%E2%80%9019-%C2%AD%E2%80%90march-%C2%AD%E2%80%902015-%C2%AD%E2%80%9017-%C2%AD%E2%80%9000.html
Porfiriadis Alexis, “The composer as facilitator. Composition as an invitation for improvisation and collective processes by the performers”, 29-30 June 2013, Music and/as Process Symposium, University of Huddersfield, UK. Program: https://musicandasprocess.files.wordpress.com/2014/08/maap-1-programme.pdf
Pantzaki Sapfo, Papapetrou Andreas and Porfiriadis Alexis (joined paper), “An Aria with Words of Nothing: Exploring verbal and graphic notation for voice and piano”, 19-20 October 2012, ΙNTIME Symposium, University of Coventry, U.K. Program: https://www.degem.de/coventry-intime-2012-symposium-coventry-university-19th-20th-october-2/
Porfiriadis Alexis and Dr. Stefanou Danae (joined paper), “The eventfulness of unheard thoughts: Words of Nothing for piano player(s) [2010]”, 21 September 2011, Word Event: a verbal notation symposium, Bath Spa University, UK. Program : https://wordevent.wordpress.com/home/schedule/
Porfiriadis Alexis, “From work to workshop: extending the social basis of compositional and performance processes towards collectivity” 2-5 Ιουλίου 2010, International Conference Beyond the Centres: Musical Avant-gardes since 1950, Department of Music Studies, Aristotle University of Thessaloniki. Congress Proceedings: http://btc.web.auth.gr/_assets/_papers/PORFIRIADIS.pdf
Dr. Panos Kanellopoulos, Porfiriadis Alexis and Dr. Stefanou Danae (joined panel and workshop), “Frameworks for Free Improvisation: Shared Practice as Research, 18-20 Σεπτεμβρίου, 1st Biennial Euro-Mediterranean Music Conference, 18-20 September 2009, Cyprus Music Institute, University of Nicosia, Cyprus. Program: http://users.uoa.gr/~foulias/lectf/Cyprus-2009-prog.pdf
Porfiriadis Alexis, “On approaching the Music Theatre of Beat Furrer”, 2nd International Conference for PhD Music Students, 11-13 February 2009, Department of Music Studies, Aristotle University of Thessaloniki,. Text: https://www.academia.edu/15429857/On_approaching_the_music_theatre_of_Beat_Furrer
Πορφυριάδης Αλέξης, “Μια προσέγγιση του μουσικού θεάτρου του Γιώργου Απέργη”, Ελληνική μουσική δημιουργία του 20ου αιώνα για το λυρικό θέατρο και άλλες παραστατικές τέχνες, 27-29 Μαρτίου 2009, Μέγαρο Μουσικής Αθηνών. Πρακτικά Συνεδρίου: https://drive.google.com/file/d/1ZajCfm5st2pkABl04NTKWykv4ySl9y22/view
Πορφυριάδης Αλέξης, “Ένα παράδειγμα της σύγχρονης μουσικής στην Αυστρία. Ο συνθέτης Gerd Kühr και μία ανάλυση του έργου Idea 94 – Musikalische Szenen für Sopran, Violoncello und Klavier”, Μουσική Θεωρία και ΑνάλυσηΜεθοδολογία και Πρακτική, 29 Σεπτεμβρίου-1 Οκτωβρίου 2008, Τμήμα Μουσικών Σπουδών Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης. Πρόγραμμα Συνεδρίου: https://drive.google.com/file/d/1op0FQtQweZ5sYkkUyf187hoGyz84I2yJ/view
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